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Born 1979 in Las Palmas de Gran Canaria, Spain

Lives and works in Berlin, Germany

Eli Cortiñas

Eli Cortiñas’ practice is centered around the idea of challenging cinematic memory through analyzing and re-editing pre-existing footage and merging it with her own film, video and sound recordings. By first collecting, organizing and classifying the sourced material, the artist then reworks and reimagines the found film-, YouTube-, advertising or animation footage in a next step, disrupting and re-structuring narrative flows.

Cortiñas’ video montages, collages and object arrangements suggest new and different meanings to appropriated and edited footage, in order to debunk myths and hegemonic narratives, as the artist of Cuban descent states. This method of ‘editing as writing’ generates a mixed feeling of both identification and alienation. A deep dive into psychological, aesthetic and societal questions, Eli Cortiñas manages to create an ambiguous and affirmative transparency within her work inviting her audience to explore power, memory and politics.

Eli Cortiñas studied at the Academy of Media Arts Cologne and at the European Film College Ebeltoft, Denmark. She currently holds a shared professorship at Braunschweig University of Art. Selected solo exhibitions include Walls Have Feelings, KINDL – Center for Contemporary Art, Berlin (2021), Free Circulation = Free Copulation at Soy Capitán (2019), Berlin, Always bite the hand that feeds you at Convent Space for Contemporary Art, Ghent (2018), Remixers never die, Contemporary Art Centre, Vilnius (2018), Awkward Studies and a Decent Take on Serious Matters at Rokeby, London (2013), Love Is Worn Around The Neck, curated by Veit Loers at Kunstraum Innsbruck (2012). Her work was part of several group exhibitions, such as Fotografie Heute: Resistant Faces, Pinakothek der Moderne, Munich (2020), MASKE. Kunst der Verwandlung, Kunstmuseum Bonn (2019), Büro komplex – Die Kunst der Artothek im politischen Raum, Kunsthaus NRW, Aachen (2018), Film Footage Fotografie. Bildnerische Augenblicke mit filmischen Bezügen, Museum for Photographie Braunschweig (2017), 10 Emerging Artists. Contemporary Experimental Films and Video Art from Germany, Goethe Institute Canada (2017), Double Feature, Schirn Kunsthalle, Frankfurt (2017), Les Rencontres Internationales at Centre Pompidou, Paris (2011). Eli Cortiñas has been awarded with grants and fellowships from Fundación Botín (2018), Berliner Senat (2017), Villa Sträuli (2017), Villa Massimo Rome (2014), Marianna Ingenwerth-Stiftung grant for residency at the Centro de Arte Contemporáneo La Regenta (2013), Shortlist Award for young Film Art, Freunde der Neuen Nationalgalerie und Deutscher Filmakademie (2011), et al.

Selected Works
Eli Cortiñas
Vessels large may venture more. Little boats should keep near Shore II
Collage on paper
33 × 45 cm
Eli Cortiñas
Vessels large may venture more. Little boats should keep near Shore I
Collage on paper
33 × 45 cm
The Body is The House, The House is But Haunted
July 1 - October 2, 2022
New Saints
­June 20 – July 21, 2020


shared booth with PINKSUMMER 

with Eli Cortiñas, Mariana Castillo Deball, Mark Dion, Lynn Hershman Leeson & Tomás Saraceno

February 22 - 26, 2023

February 22 - 26, 2023


The Body is The House, The House is But Haunted

at Kunstverein Braunschweig, DE

July 1 - October 2, 2022
Braunschweig, DE

Waldburger Wouters is pleased to present its first cycle of a 4 weeks online film exhibition with Lin Yuqi, Elen Braga, Eli Cortiñas, and Lynn Hershman Leeson.

Week 1: June 4 Lin Yuqi

Week 2: June 11 Elen Braga

Week 3: June 18 Eli Cortiñas

Week 4: June 25 Lynn Hershman Leeson

June 4 – July 2, 2021

Eli Cortiñas’ „The Excitement of Ownership’’ and Lynn Hershman Leeson’s ‘Roberta Breitmore series’ in RESISTANT FACES at Pinakothek der Moderne in Munich

November 27, 2020 – April 11, 2021
Pinakothek der Moderne in
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